神马影院(www.v62.cc)重磅推荐！来自美国地区的剧情片佳作《盲目的丈夫们》，于1919年惊艳亮相后便收获无数好评，如今本站已为您备好 HD 高清、4K 超清、1080P 多画质免费在线播放服务，让您随时随地沉浸式感受光影魅力。​
这部由著名导演埃里克·冯·施特罗海姆倾力执导，萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming等实力演员领衔演绎的作品，堪称剧情片领域的诚意之作。导演埃里克·冯·施特罗海姆以独特的叙事视角和精湛的镜头语言，将故事讲得跌宕起伏又饱含温度；主演们用极具代入感的表演，让每个角色都鲜活立体、直击人心。无论是环环相扣的故事情节、细腻入微的角色塑造，还是精良考究的制作设计，都彰显着主创团队的匠心，更在情感内核与思想深度上引发观众强烈共鸣。​
截至目前，《盲目的丈夫们》在各大影评平台斩获的高分评价，无数网友留言称其 “后劲十足”“值得 N 刷”。它或许是一部治愈人心的温情之作，或许是一部充满力量的励志篇章，亦或是一部悬念迭起的精彩故事，但无论何种风格，都能让您在观影过程中收获感动与思考。本站已于1771887917将这部口碑佳作收录至剧情片专区，下面就跟随埃里克·冯·施特罗海姆的详细解读，一同走进《盲目的丈夫们》的精彩世界，开启这场难忘的光影之旅吧！
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.